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What is Ownable?

November 20th, 2009.

To continue a thread, and to overcome the character limit on comment posts. Here is my response to Andrew:

The joys of blogging – to get intelligent pushback and the honing of thoughts.

In the comments to a previous post we have run into semantics about what is theft. I have posited deprivation as a test. Maybe that is inadequate or a subset of the issue.

Let me explore, therefore, the related question of: “What is ownable?” – ownable in an inherent sense.

I would argue that somethings aren’t inherently ownable – the air, the warmth of the sun, the nation etc. These things have an inherent sense of being “in common.” It is inherently impossible to take these things and demarcate them for one’s exclusive use. They are not ownable.

Ownable things are able to be demarcated (particularised) for one’s exclusive use.

Any form of object is therefore inherently ownable – I can say, “This thing is particularly and exclusively under my control.”

Some intangibles (or at least non-physicals) may also be ownable – my time for instance. Although one could argue that my time is certainly tangible even if it is not an object – I will have a sense of loss if deprived of it.

Emotions, concepts, numbers, ideas and universally generic objects etc. cannot be demarcated in this way. I cannot stop you feeling, thinking, counting, imagining or breathing etc. If I think the same thought as you, feel the same emotion I have not deprive you of them. They cannot be brought under exclusive control.

My assertion is that deprivability is at least a useful (possibly inadequate) test to determine the difference.

But my expansion allows an interaction with your concept of “permission.” That relates to my concept of “exclusive control” and so we agree on some things:

So, to your examples:

“I think theft of a mule is also in that category, because taking my neighbour’s mule is not itself immoral – it is only so when I do it without permission, that is what stealing is.”

The theft of a mule is Command 8 theft – the owner’s control over a specific thing has been subverted.

“Would you not pay an accountant? You haven’t taken anything tangible from them, but isn’t that still theft?”

The accountant owns himself. If I fail to pay him for his time I have subverted his control over himself. I would call that theft. I have deprived him of himself for a time, if you like.

“If I steal my neighbour’s bull and use it to inseminate my cow, and then give the bull back, is that still stealing? Yes, I think it is.”

I agree – but what are you stealing? What ownable thing? The sperm, the time the bull could have been spent working for its owner? Those things are able to be exclusively demarcated and the owner has been deprived. Other things – the DNA information, the bloodline, the species itself are greyer areas perhaps.

But:

“So how then is it different if I take someone’s idea or sonic recording without permission?”

Surely you cannot own an idea? Surely I don’t need / can’t have / is absurd to posit your permission to think about an idea that you’ve had.

An idea cannot be made exclusive. (What’s that thought experiment – to put someone in a room and tell them that if they think about polar bears they lose? You cannot control an idea)
Ideas are inherently in common. If you insist on controlling my thoughts you brushing with the absurd.

But to the “sonic recording” – the crux of this debate will end up at this issue I suspect.

The question is this, is a song more like an”idea” or more like an “ownable thing.”

I would suggest that in the end the basic nature of music is that it is “information.” Can “information” be particularised or made exclusive to be controlled? Is it inherently ownable?

My scandalous point of view is – I don’t think it is. And that is the debate at hand.

Mostly because information is everywhere. If I look at your copyrighted painting, do you now own a part of my brain? Could I have avoided the information transaction if I didn’t want to be beholden to you in some way? No. You cannot make the information of your painting exclusively under your control. It can’t be made exclusive! Every person who sees the painting receives it’s information and stores it and remembers it in some way. The information in the painting is in common!

My argument (an argument in development for sure) is, therefore, that while the expression of information may be _regulated_ the information itself cannot be owned. That regulation can take the form of an agreement (I won’t render the information pertaining to your painting that is now in my head, I won’t represent the information pertaining to your painting in my camera) or human law (we hereby say that no-one will render information pertaining to your painting)

I’m not even saying that it should not be regulated. I am certainly not suggesting that is wrong for illegal downloads to be illegal.

What I’m saying is that IP laws are matters of human regulation, not divine imperative, and so they can be critiqued, and even reconsidered.

Keep pushing back at me,

W.

13 comments for “What is Ownable?”

  1. To build upon your thoughts:The reason copyright is about copies, is because copies are not about theft. Theft, as I understand at least the British law system, involves that sense of deprivation of a tangible object. Copying is the creation of a second instance of the same thing: it is adding a new 'thing' (an intangible, generally), not changing the ownership of the initial thing.This is, in part, why the advent of the internet has caused so many IP headaches. Computers are all about copying. When you download a song, that string of 0s and 1s has just been copied over and over across computers, servers, etc., to you. Trying to control 'copies' in the digital age is built on a very outmoded concept of tangibles.Likewise ideas. If I get an idea from you, now both you and I have idea 'X'. Not deprivation, duplication. Theft isn't the right category for thinking through such issues.

  2. John says:

    Hi Will.Just because I don't think it has been mentioned yet in your posts or blogs (you may or may not have heard of them) APRA AMCOS (http://www.apra-amcos.com.au/)is sort of the big one for music copyright in Australia.

  3. Findo says:

    Hi Will,thanks for taking the time to expand on this – and for pushing my thoughts too!>>"Surely you cannot own an idea? Surely I don't need / can't have / is absurd to posit your permission to think about an idea that you've had."I think we can own an idea – and while we certainly can't stop others thinking on it, we can regulate expression of that idea, which you agree to at least. Who has the right to regulate the expression of an idea but the one who's idea it is? If I create a painting and another makes an illegal copy, there is an element of deprivation, not just financial, but time, and also recognition.If someone writes a song, making a copy of that song without their permission (often granted after a form of payment) is akin to not paying the accountant. We pay accountants not just for their time, but their skills, and I think the same can be said of artists and writers.>>"What I'm saying is that IP laws are matters of human regulation, not divine imperative, and so they can be critiqued, and even reconsidered."Well I think that's only the case if you assume that information can't be owned, and I'm not sure I agree with your definition of what constitutes 'ownable' property.The Psalms, after all, tend to credit the authors. But of course, critique is important, and certainly the area is not so clear cut as physical property.

  4. Will Briggs says:

    Hi Andrew,Just a quick reply."Who has the right to regulate the expression of an idea but the one who's idea it is?"That is not a nonsensical place to begin, for sure. But it ain't that simple.I doubt there are very many genuinely new ideas. Humanity is made to interact and build "ideas" on the shoulders of giants and in collaboration with others. Advertisers will tell you how ideas we form are often sublimally composed from information received through a variety of means.So how is your idea really _your_ idea? Surely it is also a product of your environment and those around you and before you.Ideas are inherently "in common" is my point. You can "have" an idea in the sense that you can "have" a feeling of elation (how dare you – I had that feeling the other day before you did!) – but is it actually, inherently, _yours_?"If I create a painting and another makes an illegal copy, there is an element of deprivation, not just financial, but time, and also recognition."But what determines a "copy" (illegal or otherwise)? It'd be one thing to steal your actual painting. I haven't matched you brushstroke for brushstroke. Perhaps I've generated a string of numbers on my camera's storage card that somehow represents the information of your painting? Maybe I've used the same colours? Maybe I've explored the same concept? In my post I talk about "information pertaining to your painting." At some point that "pertaining to" will cross thresholds where even the most pro-IP person will say that the new expression has moved from "copy" to "derivative work" to "new expression." What I'm saying is that those thresholds are humanly derived and can be critiqued and reconsidered without the assumption of immorality.The recognition aspect I have considered in the previous post. Plagiarism (saying that someone's work is your own) is fraudulent/untruth and therefore has an inherent moral issue. I'm talking about IP more broadly than that."We pay accountants not just for their time, but their skills, and I think the same can be said of artists and writers."I pay an accountant for the application of his skills to my accounts. But does the accountant then "own" the information in my spreadsheet? It is possible to pay writers in the same way (speech writers, ghost writers…)But the writers that we most talk about wrt IP are in a different class – are we paying them for a "product" that they "own" or do we pay them in order to have a right (derived from a human authority) to read/use/reproduce the the information they have arranged. I am arguing the latter.>>"What I'm saying is that IP laws are matters of human regulation, not divine imperative, and so they can be critiqued, and even reconsidered.""you assume that information can't be owned, and I'm not sure I agree with your definition of what constitutes 'ownable' property."That is, indeed the crux. As with all things I need to deepen my argument to demonstrate that is in accord with logic, reality (general revelation) and (in my framework), divine revelation. If I can do that, I strengthen my argument. I don't think I have failed but I do have more work to do."The Psalms, after all, tend to credit the authors."[grin] Please don't tell the German Bible Society, I'll have to seek King David's permission before I can preach on Psalm 23 [/grin]Blessings,W.

  5. Jonathan says:

    Andrew, your account analogy doesn't actually seem to support your argument – accountants are paid for the time they spent working. No one pays an accountant a royalty for each copy of the year-to-date figures that the accountant has produced.We do pay accountants for their skills – analogously I am in favour of paying musicians for performance, composition or even practice time – the "work" of being a musician. I don't see a biblical or moral justification in demanding payment simply to obtain a copy (not even "own" in many cases) what a musician has created, especially when there is a near-zero cost to reproduce that material. (Also, I'm not advocating copyright infringement – we have a legal obligation to adhere to copyright restrictions. It is up to the legal copyright holder to decide which legal rights will be given to others.)With regard to the Psalms, there is attribution (although, as I understand it, it was not uncommon for a king to get the attribution for work done by his subjects), but this is not issue of copy-right. "Moral" rights (such as attribution) are a separate issue to copy rights.It is certainly the case that Australian law allows individuals certain exclusive copy rights, but is it appropriate for Christian artists, composers and authors to enforce these rights when doing so restricts access to Spirit-inspired Kingdom-growing works?

  6. Findo says:

    Hi Will,great discussion!>>"So how is your idea really _your_ idea? Surely it is also a product of your environment and those around you and before you."Well that is true. But the expression of that idea is unique (unless it's copied, which is the point).>>"Ideas are inherently "in common" is my point. You can "have" an idea in the sense that you can "have" a feeling of elation (how dare you – I had that feeling the other day before you did!) – but is it actually, inherently, _yours_?"I don't think that comparison is quite so. While creativity is innate (we are made in the image of a creative God) as are emotions, I don't know that all creative expressions are innate. don't need to learn about joy to feel it, but I do need to learn about harmony in order to write a song. When I write a song I put part of myself into it, in a way. I think this may be was is missing in your consideration, as you imply that creating art is merely arranging information. It is that, but it is so much more as well. Mozart and Haydn both arranged harmonic information, often in similar strcutures, but there's no denying that both of them have a distinct musical voice and identity. Mozart's music is definitely his own.Perhaps we both see a beautiful sunset – we both have the same emotive response, but one of us writes a poem, or a song – it is a unique expression that I think exists objectively in the same way my neighbour's donkey does.The argument then that copying it doesn't cost I think misses the point of the command against stealing – it is not a command to not cause loss to someone else, but to not take what does not belong to us. And in this sense, a poem I write does belong to me – it is my expression. Copyright law exists to facilitate the sharing of such expressions in much the same way as a car rental business charges for use of it's vehicles. I might let my friends use my car for free, but that doesn't make it wrong for Avis to charge customers to do so. So it's perfectly legitimate for musicians to charge for people to 'use' their music if they so desire.Whether Christians should be charging for the use of kingdom-centred IP is a different question.

  7. Jonathan says:

    You don't need to learn about harmony to write a song. Or melody, or even rhythm for that matter – you should hear my daughters, they're fantastic composers ;)

  8. Findo says:

    Hi Jonathan, I hate to be so pedantic with such a cute and endearing example (I'm not being sarcastic either! It brings a smile to my face to imagine the scene) but it's not quite accurate. Your daughter's are no doubt creating songs in a western idiom. Presumably if they lived in another culture, one that didn't use western tonalism, they would not sing such songs. The fact is that they have begun to subconsciously learn how to construct a melody.But perhaps more to my point, do you not see something of their own unique personalities in the songs they create? Are they purely organised sounds, or are they 'their' songs?

  9. Will Briggs says:

    Andrew:"The expression of that idea is unique (unless it's copied, which is the point)."But does uniqueness imply, inherently, an exclusive "controllability."?An idea expressed (even in some unique form) is less akin to an object being put on display and more like a virus being released in the wild.Another way of looking at it is this:It is conceptually possible for someone to, independently, arrive at the same idea as someone else. If we insist on ideas being inherently ownable then we must posit a universe in which one real object (e.g. my recently-sold caravan) can be independently completely owned (in the conceptual sense, not the legal sense) by two (or more) different people. This is as absurd as a four-sided triangle.:"When I write a song I put part of myself into it, in a way. I think this may be was is missing in your consideration, as you imply that creating art is merely arranging information."That's a fair point. Although, as a computer nerd, I would say that there is something beautiful and creative and artistic in the arrangement of information.Also it is fair to say that the creation of art is a reduction in entropy. It therefore takes effort and energy, creativity.But this does not impact on what the fundamental nature of information actually is.It takes effort and energy and creativity to teach maths at school. Do I own the understanding? The maths? The student?I put little bit of myself into every conversation I have with my friends. Do I own the conversation? The friendship? The friend?The point I'm making is that creativity and energy applied to a thing does not necessarily imply the inherent ability to control that thing and therefore does not imply the inherent ownability of that thing.:"Perhaps we both see a beautiful sunset – we both have the same emotive response, but one of us writes a poem, or a song – it is a unique expression that I think exists objectively in the same way my neighbour's donkey does."And I think this is the next area for me to clarify at some point: What is an "expression" and what is the "information" that is being expressed. If you and I both took a picture of a sunset with identical cameras at identical times – what exactly can we or do we own? And how is my expression (a rendering of the sunset in my camera) different to yours?Expressions (photos, paintings, manuscripts etc.) is where wild information and tame objects interact. Here is the next crux for the debate I think.:"it is not a command to not cause loss to someone else, but to not take what does not belong to us. And in this sense, a poem I write does belong to me – it is my expression. Yes, but, I would argue, the poem is not _inherently_ yours to control. You can control how _you_ express it. There is nothing that is able to prevent you from having that expression. But the information of that poem, when expressed, will enter the lives and minds of those to whom it is expressed. And there it is uncontrollable by you, no longer "yours" in an inherent sense, intermingling and merging with other information and inputting into many and varied expressions throughout society – some of which will be close to your expression and some of which will be dissimilar. It is like the wind, a virus, a species, a weather pattern. Manageable, for sure, but not ownable.I think the whole concept of IP law recognises this. At its best it manages by recognising that "ownability" is not inherent and therefore restricts those who would want to assert total ownership on information and derived expressions.At its most cogent and logical best it does this by _creating_ rights to restrict copying, not restricting inalienable rights to ownership.If IP was once again seen like that I would rest easy at night knowing that the poem (attributed to someone else) that I wooed my wife with did not hand ownership of an expression of my love to someone else – even if I did infringe a copy-right in doing so.

  10. Findo says:

    Hi Will,>>"An idea expressed (even in some unique form) is less akin to an object being put on display and more like a virus being released in the wild."I think this is my fundamental disagreement with your argument. I don't see a difference between a song and a sculpture. Sure, I can put a piece of sheet-music on a photocopier easier, but I've already noted that I don't think the command against stealing is focussed on causing loss so much as not taking what isn't yours.>>"Yes, but, I would argue, the poem is not _inherently_ yours to control. You can control how _you_ express it. There is nothing that is able to prevent you from having that expression. But the information of that poem, when expressed, will enter the lives and minds of those to whom it is expressed. And there it is uncontrollable by you, no longer "yours" in an inherent sense, intermingling and merging with other information and inputting into many and varied expressions throughout society – some of which will be close to your expression and some of which will be dissimilar. It is like the wind, a virus, a species, a weather pattern. Manageable, for sure, but not ownable."But we are talking about something tangible – a song is sonically, and often physically tangible, like a sculpture or a donkey. Obviously others will be able to experience it, but I don't think that's the argument, the argument is whether I have the inherent right to own that tangible information and say who can and can't take it, copy it, reuse it.

  11. Findo says:

    >>"It takes effort and energy and creativity to teach maths at school. Do I own the understanding? The maths? The student?I put little bit of myself into every conversation I have with my friends. Do I own the conversation? The friendship? The friend?The point I'm making is that creativity and energy applied to a thing does not necessarily imply the inherent ability to control that thing and therefore does not imply the inherent ownability of that thing."If you write a text-book or a teaching aid, then yes, you do 'own' that information. If your conversation is recorded in someway, I think you do own that information.>>"And I think this is the next area for me to clarify at some point: What is an "expression" and what is the "information" that is being expressed. If you and I both took a picture of a sunset with identical cameras at identical times – what exactly can we or do we own? And how is my expression (a rendering of the sunset in my camera) different to yours?"I would suggest that we actually cannot take the 'same' picture – even the slightest difference of perspective will change what the camera records, and of course, the different settings (even on the same camera) would too – but I suppose for argument's sake we assume they are both on auto.But I think there is a difference between the two of us taking almost identical shots and me copying the actual shot that you took.This presents an interesting question though – if we decide to both take the same picture on the count of 3 – does that mutual decision thus cause both shots to in fact be part of a larger joint expression (art work? assuming that they are artistic which is whole other debate!)Indeed, the assumption of digital photographs and the ease of copying shows how this debate could only really emerge in the digital age. If I shot film, the only way you could obtain a copy is if I gave permission – I'm sure you would agree that it would be stealing to take my film and copy it and return it, yet, you seem to suggest that copying a digital file is not necessarily stealing as such, correct? Why is it that I would only own the physical film, but not the image stored on it which I created?>>"I would rest easy at night knowing that the poem (attributed to someone else) that I wooed my wife with did not hand ownership of an expression of my love to someone else – even if I did infringe a copy-right in doing so."Well I'm not arguing that whoever wrote the poem owns your expression of love. But it remains that it is their poem which you relate with and choose to express your own feelings through.

  12. Will Briggs says:

    Andrew,I think we've reached the point of agree to disagree. You've given me lots to think about and made me clarify some things in my own head. I'll be exploring the issue from some different tacks – keep giving me your perspective.Appreciate it,W.

  13. Findo says:

    Sure. Thanks for the discussion – challenged me too, to not just assume something.

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